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The dispute is between the free exchange of ideas, exploration and innovation on the one hand, and a closed, litigious and insular development model on the other. In the meantime, Sony is seeking to brand George Hotz (and the other youths associated with him) as criminals. When the natural genius of curious youths opened a pandora’s box of problems for Sony, the corporation forced them and everyone who had already bought the units to disable the Linux functionality of their PS3s. Why was the United States government interested in Sony’s PS3? Because it could run Linux. This opened a wide world of exploration for kids, teenagers, and even the defense department. When Sony initially sold their PS3, it was advertised as being Linux capable. Such is the case with the brilliant young man, George Hotz, who is presently being sued by Sony. If we tried, we would risk legal reprisals. This means that no one - not the curious child, not you, not me, not the computer scientist - can look at Microsoft’s code.

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By way of comparison, all Microsoft software is closed source.

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The openness of the architecture means that anyone - the little kid with a great idea to the computer scientist at CERN - can patch a problem. This is a supreme advantage when security issues arise. In other words, any programmer is entitled to look at the work of another programmer and, hopefully, tweak and improve the previous programmer’s work.

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The license requires that anyone can look at the source code. What’s so unique about the Linux ecology (and without getting too specific) is the licensing under which the software is circulated. Bach was God’s sewing machine and his cloth was sound. He sets forth his musical ideas with precision and develops them with such a sense of simple inevitability that one could be forgiven for thinking that his music wrote itself. Johann Sebastian Bach, my favorite composer, (in another time and place) would have been a programmer of unrivaled genius. They can make the poetry look effortless and inevitable. When we read a great passage from Shakespeare or Keats, the effect can be the same.

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When you see it, the first thing you ask yourself is this: Why didn’t I think of that? Just four lines of code can match and outperform 200. A great programmer can do, in just a few lines, what takes the uninspired programmer a thousand lines. Great poetry and coding are both jaw-droppingly elegant. To me, there is a striking similarity between great poetry and great programming. They do what they do because they believe in the free and, most importantly, creative sphere entailed by the free exchange of ideas. What’s incredible though, is that all of these distributions are free and they are developed by a community of programmers who might or might not receive remuneration for their work.

Each has its own peculiarities, advantages and even disadvantages. The Chinese have been developing Red Flag Linux. The Turkish government is putting funds behind a beautiful linux distro called Pardus (which I’ve also installed). At present, I’m writing this on a distribution called Ubuntu – probably the best known distribution. That one engine is the same in every car, but every car that’s built around it is different, specialized and custom. The Linux kernel could be compared to an engine. At the core of every Linux distro is the Linux Kernel. There are hundreds, perhaps over a thousand, different Linux distributions. The beauty of Linux, if you’re not familiar with it, is the vast and varied community developing both the operating system and the software that runs on it. I yearn for the unpredictable stallion, the temperamental, wild and maybe ungrateful horse that would just as soon kick you out of the barn but that’s the horse that runs like lightning. For the most part, you can trust Windows to keep a steady pace, but that gets dull after a while. The term, if you’re not familiar with it, means trying out one distrobution of Linux or BSD (or any operating system) only to remove it as soon as you’ve got it working. Presently, my primary OS is Ubuntu and I keep partitions free just so I can ‘distro hop’. My first substantial work was not a poem, fable or story, but a piece of software written on the Apple IIe. My first love wasn’t poetry but computers.

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